Serious independent authors spend time checking out their competitors, the so-called ‘Comps’ or comparable titles. It is a great way of getting a sense of a particular genre, prevalent trends, the key cover design elements that signal a particular fictional niche. A writer should have a good idea of their specific target readers — and, spoiler alert, it is not ‘anyone who can read’. If you have read a lot in the genre you are writing in (always a good idea), you will already have a fairly good idea of how your title/s relate to the existing literary landscape. Making a list of comparable titles, whether bestsellers or midlist, can also be helpful for book cover designers looking to get a more specific feel for your title. At the same time it gives the author a better sense of the overall commercial literary landscape.
Value of Book Cover Design
Author services site Reedsy conduct a semi-scientific test into the relative marketing merits of a better designed cover. The signal seems pretty clear, though one would want to make such tests on a much larger scale to fully quantify the effectiveness. But of course there is a reason mainstream publishers invest a lot of effort into eye-catching genre-appropriate cover designs — it very much works, and catches the segment of the buying public interested in that specific kind of title.
Hemingway Award for Kathryn Gauci
Kathryn Gauci writes gripping historical novels set in Europe, with a particular focus on Greece, France and Turkey. She researches her work in great detail, often travelling to the regions in question, and picks up many online awards. She posts regularly on Facebook and Instagram, and has racked up thousands of reviews and ratings on Goodreads. She is an excellent example of the value of persistence, networking, participation in the online communities relating to her genre and cross marketing of her books.
Manuscript to Market: the life cycle of getting your book into print
by Susan Pierotti, writer, editor and proofreader.
Does a burning desire to write a book light a fire in your belly? Have you already begun to write but self-doubts have conquered your self-confidence? Do you have all the material ready to write but don’t know how to assemble it together?
I wrote Manuscript to Market to answer these very questions and more. I’m an editor who polished others’ books for publication. I never in a million years thought that I would write a book, yet I’ve now published four. I know what it feels like to write and then hand over my hours of inspiration (and perspiration) to someone else to get feedback from. Will they like it? Will they loathe it?
I wrote Manuscript to Market in response to a number of prompts.
The first came from a business colleague. He said if I was going into business as a book editor, I’d better write a book to show I knew what I was talking about. So, for all you businesspeople out there, let me tell you – writing a book is a business card on steroids! I have sold so many of my books to prospective authors and they now think I’m an expert.
Am I the only book editor around, or even the best? No, but I’m the only one they have met who can tell them what they need to know. This adds to my credibility and their reassurance. So, if you’re in business and want a product that does the marketing work for you, write a book. (How do you do that? Read mine!)
The second prompt came from my first-time author clients. They had great stories, engaging characters and dramatic plotlines, but few knew how to construct a good story arc with an appropriate pace, many didn’t know who they were writing for, and marketing ... well, isn’t that what the publisher does? Knowing how little some of these authors know about the book publishing world about understanding how they feel about their work motivated me to help them.
Every author I have worked with regards their book (rightly) as if it were their baby – precious, delicate, valuable. This gave me the structure for my book. From the birth of your baby (where the idea is in the head) to going to school (finding your editor) to dressing up (cover design, layout) and graduating (publishing), Manuscript to Market is a step-by-step guide to getting the idea in your head to a book in the hand.
Available at Susan’s website.
Manuscript Assessment Agency
If you have completed a first draft of your manuscript, but are unsure of the next step and need experienced guidance, the services of the Manuscript Appraisal Agency are worth considering. Their menu consists of the following:
In the highly competitive world of publishing, getting your manuscript read, assessed and/or edited can be the first step to finding success. The Manuscript Appraisal Agency can help you take those first publishing steps, getting your manuscript ready for agents, traditional publishers, and self-publishing.
We offer:
Manuscript Appraisals (assessments)
Editing (structural editing, copy editing and proof reading)
The MAA is an ethical service, not an entry point to a vanity press.
Australian Newsletter for Independent Authors
Thorpe-Bowker publishes an interesting newsletter on the independent publishing scene. Free subscription link here.
Working with a book cover designer
Author and traveller Jacqueline Hodder describes the process she went through in choosing a book cover designer (spoiler alert: she used WorkingType Design).
Maximizing Your Reach: Using Podcasts for Book Promotion
Guest Post contributed by Farlyn Lucas, Podcast Advertising.
Promoting your book can be a challenge. With the abundance of content available online, it can be difficult to get your book in front of the right people and generate buzz. This is where podcasts come in.
Podcasts have become increasingly popular, and there is no shortage of listeners. In fact, the number of podcast listeners increased by 15% during the COVID-19 lockdown in Australia, and an estimated 424.2 million listeners worldwide.
This presents a unique opportunity for independent authors and self-publishers to reach a wide audience and promote their books. With the right approach, podcasts can be an effective tool in maximizing your reach and promoting your book to a wider audience.
Benefits of Using Podcasts for Book Promotion
There are several benefits to using podcasts for book promotion. First, podcasts allow you to reach a targeted audience. You can connect with listeners who are already interested in your subject matter. This makes it more likely that they will be interested in your book as well.
Second, podcasts offer a more personal connection than other forms of marketing. When you appear on a podcast, you have the opportunity to talk directly to the listeners and engage with them in a way that is not possible with other forms of marketing. You can build trust with potential readers and increase the likelihood that they will purchase your book.
Third, podcasts can help to establish you as an expert in your field. When you appear on a podcast and share your knowledge and insights, you are demonstrating your expertise to the listeners. Through this, you can increase your credibility and build your reputation as an authority in your subject matter.
How To Get Started With Podcast Advertising
Podcast advertising can be a powerful tool for independent authors and self-publishers looking to promote their books and reach new audiences. Let’s cover the basics of how to get started with podcast advertising, including what you need to know, what to expect, and how to make the most of this promotional channel.
Step 1. Research Your Target Audience
The first step in finding the right podcasts for your book is to research your target audience. Consider who your book is written for and what their interests and hobbies are. What types of podcasts do they listen to? What topics are they interested in?
You can find podcasts that cater to their interests and may be more likely to feature your book.
Step 2. Research Popular Podcasts (or in your niche)
Next, look for podcasts in your niche or related to your book's topic. These podcasts are likely to have an audience that is interested in your book and may be more likely to share your book with their followers. You can use podcast directories such as iTunes, Spotify, and Stitcher and search podcasts in your niche.
Another way to find podcasts for your book is to check out popular podcasts in your genre or niche. These podcasts may have a large following and a large reach, which can be beneficial for your book promotion.
Step 3: Determine Your Advertising Budget
Next, determine your advertising budget. Podcast advertising can range from a few dollars per episode to hundreds of dollars per episode, depending on the popularity of the podcast and the length of your ad. Keep in mind that podcast advertising can be more cost-effective than traditional advertising methods, so it's important to determine what you're willing to spend.
Step 4: Connect with Podcasters
Once you've identified a few podcasts that you're interested in advertising with, it's time to connect with the podcasters. This can be done through social media or email. Be professional and respectful in your approach and clearly explain how your book fits into their audience's interests. If the podcaster agrees to work with you, they will likely provide you with specific instructions on what you need to do next.
Step 5: Create Your Ad
Your ad should be concise, attention-grabbing, and memorable. Most podcast ads are around 60 seconds long, so be sure to make the most of that time. Consider using humor, storytelling, or a unique angle to make your ad stand out. If you're not confident in your ability to create an effective ad, consider hiring a professional to help.
Step 6: Launch Your Campaign
Once your ad is ready, it's time to launch your campaign. This is when you'll start hearing your ad on podcasts and reaching new audiences. It's important to track your results and make adjustments to your campaign as needed. This may include adjusting your ad, changing the podcasts you're advertising with, or adjusting your budget.
Popular Podcasts for Independent Authors and Self-Publishers
The Self-Publishing Show
Hosted by veteran indie author, Dave Chesson, this podcast is perfect for self-publishers looking to learn more about book marketing, book promotion, and book design. Dave covers a wide range of topics, from ebook formatting to advanced book promotion strategies, making it a valuable resource for any indie author.
The Creative Penn
Host Joanna Penn is a bestselling author and entrepreneur who shares valuable insights and advice on publishing, marketing, and entrepreneurship. She covers a wide range of topics, including book design, book marketing, and the business of self-publishing, making this podcast a must-listen for indie authors.
The Writer's Well
Hosted by multi-published author, Christine Stinson, this podcast provides tips and insights into the writing and publishing process. Christine covers a wide range of topics, including writing techniques, publishing options, and book marketing, making this podcast a valuable resource for any Australian author looking to publish their book.
The Author's Journey
Hosted by best-selling author, J.A. Mellon, this podcast provides practical advice and inspiration for self-publishers. J.A. covers a wide range of topics, from writing and editing to book marketing and promotion, making this podcast a must-listen for any Australian author looking to take their publishing journey to the next level.
Final Thoughts
Using podcasts for book promotion can be a highly effective way to reach new audiences and promote your book. With the right preparation and research, you can find the right podcasts and make the most of your appearances. The podcast industry has experienced substantial growth, providing numerous and dynamic opportunities for book promotion. Regardless of whether one is a self-published or traditionally published author, the integration of podcasts into a comprehensive book promotion strategy is highly recommended.
An Amazon Tale: He Fought for His Royalties, and (Eventually) Won ....
A very dogged author relates his trying experiences with Amazon KDP and organising the payment of royalties. He does arrive at a solution, but only through sheer persistence:
“Amazon is probably the best outlet for Indie authors, but manage your expectations when dealing with their customer service.
Their help/assistance/advice to me was either inconsistent, vague, given in Amazon’s internal technical speak, incomplete, or simply wrong.
I put my latest novel up on Amazon as I did with my previous two, only this time, I put both eBook and paperback on all markets, not just Australia.
When sales started occurring, I followed those on my KDP account site. I found their reports informative and helpful. They gave me statistics for each marketplace and the estimated royalties.
When my Australian royalties started arriving in my Australian bank account by EFT, I thought I would find out why my sales in the other markets were not reaching me.
I then discovered those royalties could not be paid by EFT into my Australian bank account, only by cheque or wire. Then I found that not only could an EFT transfer not happen, but that Amazon had a withdrawal threshold of 100 units for each market, e.g. US$100, CA$100, €100, or £100.
None of my book royalties in any market outside Australia is ever likely to break these thresholds, e.g. Canada royalties were CA$2.88, Eurozone (Germany) €7.80. So, I put the question to Amazon – how do I ever get paid these royalties?
Amazon suggested I open an account with Payoneer for each marketplace, which I did. So, Amazon from each marketplace could now transfer my royalties to those Payoneer accounts. However, my problem then became twofold:
Payoneer does not have a banking arrangement with UK or Canadian banks. So these royalties could not be transferred to my Payoneer accounts.
Then I discovered that Payoneer also has a withdrawal threshold of US$50 per transfer.
Finally, a solution:
In your KDP account go to the Getting paid tab.
In your non-US/non-Australian accounts, change your payment method to your US$ account and transfer any outstanding royalties in those other non-US accounts to the US$ account.
Under your Amazon US account, click and highlight every tag except Amazon.com.au.
All royalties from sales in all those other marketplaces will now be currency converted into your US$ account.
If or when your US$ account balance reaches above US$100 you can transfer to your Australian bank account.
In my case, I have my Amazon US$ account balance transferred to my Payoneer US$ account (lower withdrawal threshold). Amazon’s US$100 withdrawal threshold does not apply here.”
Barbara Canin Stirs the Pot
Feisty independent author Barbara Canin decided to make her aged care home the focus of her latest book. The resultant book is trenchant, witty and somewhat controversial.
“I’m trying to show the funny side of living in an old age home. There’s a funny side too. It’s hilarious, you have no idea how hilarious it is, Canin said with a smile.”
Mary Garden on Cults
Author Mary Garden writes about her experiences with gurus in the 1970s.
“I don’t know what it was in me that had the courage to write my book well before its time ‒ to expose the little bastard and others like him, to warn others ‒ but that’s the one good thing that came out of it all. ”
Plantea in Posterum exhibition by Ellen Hansa
Ellen Hansa, author of the excellent Dante’s Trunk is holding an exhibition of her botanically-themed ceramic art. She writes that the “opening of my exhibition was quite amazing filled with stories, poetry and song.”
‘Plantea in Posterum’, plants of the future, was a challenge which kept me busy for almost 12 months. Usually I make my work to be put into a garden, threading the pieces onto star pickets which are securely hammered into the ground. I had to devise a way to be able to display my work in a gallery as well as in a garden or on a patio. On top of that everything had to fit into my car and I had to be able to lift the pieces. The sculptures can be dissembled for easy transportation.
My ceramic career started over 50 years ago, when I fell in love with clay and its possibility to mould it into all kinds of shapes. Pots, tiles and sculptures, I made it all. All these items I start by drawing the shapes and working out the colours. Only then I begin with the modelling, the firing and the glazing. For this exhibition my inspiration came from my garden.
The exhibition will continue until December 11. Edge Galleries are open weekends 11am-3pm
Upcoming Author Talk by Francesca Di Pietro
Join author Francesca Di Pietro at two upcoming events in August as she talks about her debut novel Life with a Psychopath. Francesca will outline her journey as an author, the motivation behind writing this novel and the key messages highlighted in her work.
Click the links below to register for upcoming events at Corio and Sunshine libraries:
Independent authors and making a living
Book marketing guru Joanne Penn practises extreme financial openness, breaking down her book sales by format, genre and country… Her advice is always worth considering.
Managing Your Expectations as a First-time Author
It’s often said that everyone has at least one book in them. Good. A thriving culture is loaded with storytellers of both fact and fiction. You don’t have to be a mega-seller to enrich yours and other people’s lives with your writing. If you have written your first book, then what should you reasonably expect in terms of publication and success?
The biggest myth to bust is that your book will sell itself. Yes, your words might be captivating; yes, you might have a stunning cover; yes, you are wrung out from the many months or years of effort to create a retail-ready book; but – and it is an important but – are you genuinely ready to promote your book? Promotion is a whole other game, which requires planning, strategy and many hours of intense work. Just when you thought you could sit back, relax and wait for the phone to ring!
Creating a print book, ebook or audiobook for a global readership has never been easier. That’s the good news. However, this also means there are millions more first-time authors around the planet competing for the attention of readers. It is often said in the book publishing industry that 95% of new titles will sell fewer than 100 copies. This includes traditionally published as well as self-published titles. A sobering statistic.
In Australia, ABC Radio is the most accessible and effective network for publicising new books. Yes, TV would be even better, but good luck getting that level of exposure unless you are already a celebrity or well-connected with TV insiders. Perhaps you think a good review in a newspaper, magazine or journal should sell truckloads. Not really. Even though a review is typically more objective than listening to a radio interview of an author spruiking the wonders of their latest title, potential readers usually find the subjectivity of the author more engaging. And what about commercial radio? Yes, this can work, but more book buyers listen to the ABC.
But before you pick up the phone to dial your local ABC Radio station, you need to know that, as a rough average, they will be able to publicise only about 1 in 20 of the books they receive. And every day a particular show at a metropolitan station, like 774 (Melbourne) or 702 (Sydney), might receive 20, 30 or more books seeking an interview for their author. This includes traditionally published authors.
Believe it or not, you can beat these odds, like I did, and score interviews with ABC Radio stations in capital cities, if you write an engaging one-page media release with a headline that hooks your potential interviewer. You will need to post a copy of your book along with your media release addressed to a particular announcer or their producer, who you’ve researched online. You might even go that extra metre with a follow-up phone call a few days later to see if they received your ‘media kit’.
If this all sounds like too much hard work, then why not Google freelance book publicists? Yes, you can do this, but don’t be surprised if a professional’s publicity campaign costs $5,000 or even $10,000 with no guarantee of success. Yes, really. Unfortunately, even that amount of money cannot guarantee high-profile announcers at key radio stations will choose you and your book. You might receive some incidental publicity opportunities, such as a community radio interview, but these will be lucky to translate into significant sales.
The above is an outline of how to pitch your print book to the traditional media: radio, print, TV. Of course, you can also promote your book on social media. If you have only an ebook version of your title, then you can forget about traditional media (who expect your book is important enough to warrant a print edition to be worthy of broadcast time) and focus all your promotional efforts online. The best material I have found on how to promote your ebook is a free downloadable guide titled Let’s Get Digital by David Gaughran, an Irish writer living in Portugal. Google him and also sign up for his regular and very helpful emails.
Then there are paid-for ebook marketing services, such as BookBub and similar companies like Book Gorilla, The Fussy Librarian, Freebooksy and Booksends. They all have various terms and conditions that may or may not suit you and your budget. Or Google the website of Alessandra Torre Ink and check out her resources and courses that show authors how to use Goodreads to attract and retain readers. There are numerous other ways to promote your ebook and/or print book, but you get the idea: marketing know-how is crucial if you want to compete successfully.
The above suggestions all point to one difficult-to-escape conclusion: first-time authors need a solid marketing plan to compete in the marketplace. Yes, your launch might sell 40 or 50 copies of your book to family and friends, but how do you become one of the 5% of authors who sell more than 100 copies? A good marketing plan can take a year or more to create.
“That said, how do you measure success? Is it only through the quantity of public sales of your book?”
That said, how do you measure success? Is it only through the quantity of public sales of your book? In 1998 I had a self-published bestseller that was short-listed for a readers’ choice award and the screen rights were licensed by a film company (even though the movie didn’t go into production). However, now all the glitter from publicity and sales has well and truly settled, I can offer you another perspective on what success means. I’ve long since spent all the money I earned from that bestseller – a healthy five-figure sum – but when I calculated the total number of hours I put into writing and promoting that book, approximately one thousand, my hourly rate wasn’t much more than the minimum wage. Another sobering statistic.
With the advantage of more than two decades of hindsight, there are three enduring measures of success from my self-published bestseller experience – and it wasn’t the money!
Firstly, it was the satisfaction of actually finishing that book, because there are so many millions of writers who have half-finished manuscripts that never see the light of day. But I got mine done. I beat the odds against me completing that book. I didn’t die wondering. Not ‘I coulda, woulda, shoulda …’
Secondly, it was the legacy value for my children. My book offers them a snapshot of a time in my life that was so different yet so similar to their own, and the passing of time increases the value of that story to them. I still regret that my family had only just started recording the stories of my paternal grandfather when he died in 1977. It was like a library had burned down. His stories may or may not have been bestseller material, but the small number I heard revealed fascinating insights into our family history through two world wars and two depressions.
Thirdly, my book is now permanently stored in the National Library of Australia (NLA) and also my state library. By law in Australia, a print or electronic copy of every published book must be sent to the Legal Deposit units of the NLA and your state/territory library. You can be fined if you don’t. But the pay-off is that your book becomes a permanent part of Australia’s cultural history collection, which can be accessed by anyone online via Trove. If you have never used the NLA’s Trove search engine, then use Google to see what treasures await your discovery.
“Now, with the advantage of perspective, I can see this type of commercial success is fleeting, yet a different sense of success can endure. What will be the enduring measures of your book’s success?”
In summary, if I hadn’t had a bestseller and I told you that personal satisfaction, family legacy and contributing to Australia’s cultural heritage are the three enduring measures of my book’s success for me, then you would probably dismiss these claims as rationalising my lack of success in the marketplace. But I did sell many thousands of copies of my book and enjoyed the publicity while it lasted. Now, with the advantage of perspective, I can see this type of commercial success is fleeting, yet a different sense of success can endure. What will be the enduring measures of your book’s success?
Dr Euan Mitchell is an author and former senior editor for a major publisher.
He can be emailed via mitchell.words at gmail.com
Shirley la Planche, author of The Fatal Path
Shirley La Planche emailed with a brief account of the recent progress of her excellent thriller The Fatal Path.
“It’s not easy being a self-publisher but I’ve sold more than 100 books to friends and associates and the reports back have been fantastic – couldn’t put it down, read until finished, great plot, scary – sort of comments that are what a thriller should do. Now I’m looking at ways of getting it into mainstream media which his not easy for a self-publisher because reviewers prefer to deal with a big publisher.”
This excellent, fast-paced book is available via the Mosh Shop and Amazon. Initial reviews on Goodreads have been positive.
Recommended texts for Independent authors:
Independent authors are faced with a bewildering new world when they attempt to promote their books on snd offline. The following authors and sources do an excellent job of making sense of the contemporary publishing and promotional landscape, and all are worth reading.
Euan Mitchell's Your Book Publishing Options
How to Be an Author from Fremantle Press
Let's Get Digital by David Gaughran
Ricardo Fayet's How to Market an ebook
Amazon Ads Unleashed by Robert J. Ryan
Amazon Selling Services from Helium 10
Author 2.0 Blueprint by Joanna Penn
Online Resources and Advice for Independent Authors
If you are a veteran writer who has been in the industry before the internet boom, you may already have known what it was like when writers had to struggle with writing and even more so trying to find a good publisher. This could be why the market stayed relatively small. At least for the talented ones with limited resources and had geographical challenges.
Fortunately, nowadays, with some knowledge and the willingness to labor for your niche and craft, you finally get the opportunity. That is the chance to be able to reach an audience base that would otherwise have taken you forever to find.
Let's look into some of our recommendations of the best sources on resources for Independent Authors.
Let's Get Digital: How to Self-Publish, And Why You Should (Fourth Edition) (Let's Get Publishing Book 1) by David Gaughran
About the author:
Apart from being an author of a practical guide such as "Let's Get Digital," David writes historical fiction and science-fiction books under a pen name. This particular book has undergone revisions to meet the needs of the self-publishing writer of today, And it includes bonus resources as well. His engaging writing style is simple enough to understand but not to the point of being too simplistic. He covers the essential basics such as:
Using tried and tested marketing strategies that work to increase sales of your book
Getting the best editors without spending a ton.
Attracting more readers by improving how your brand is presented.
Making your eBooks easy to find, and so much more.
Our Take:
This book will help the new writer who wants to do it right the first time. That is, getting discovered and earning well in the process. Remarkably, it doesn't only cater to newbies but will also be a helpful resource for the more experienced writer who needs updates to this ever-changing landscape of internet publishing.
Overall, this resource is as comprehensive and as informative as you can get. It is a complete go-to reference for both the new and veteran writers alike.
How to Market a Book: Overperform in a Crowded Market (Reedsy Marketing Guides Book 1) by Ricardo Fayet
Ricardo Fayet is an author/consultant and co-founder of Reedsy, an online marketplace that connects authors with editors, cover designers, translators, and publishers. The platform has been successfully helping hundreds in marketing, online ads, growing their mailing lists, and establishing news streams of income.
About the Book
The book itself is a comprehensive distillation of years of coaching and teaching writers to become full-time authors and eventually make a good living out of their writing skills. Just be aware that some points of view of this author are not of an independent publishing writer since he works as a marketer and concentrates on the publishing business.
Nevertheless, you will find everything you need in this book on how to maximize the tools of the internet to snag better revenue and increase readership. He even includes essential tips on logo design to make your book appear even more attractive.
Our take:
This book is all about finding your market and growing it-a practical way of looking at things to help you keep your passion by being profitable too.
Amazon Ads Unleashed: Advanced Publishing and Marketing Strategies for Indie Authors (Self-publishing Guide.) by Robert J Ryan
This book goes into reaching in and tapping into a buying audience and converting clicks into sales. It also talks about what types of ads to avoid and the best practices for optimization. It does a no-nonsense look at how Amazon Ads works. Most of the time, it challenges the effectiveness of Amazon ads and offers methods on how to maximize them and make them work for you.
It takes on a more rigid stance compared to the softer views of other books. Nevertheless, being on top in sales rank and being one of the best sellers in this category does make it a credible source. This is especially if the friend who recommends it to you has already doubled their revenue.
Our Take:
If this book is recommended and in itself has sold more than the others of the same category, then it should be a must-have. Never mind that it is hard to read, provided that it is rich in reference and is an expert in the subject matter at hand, it will profit the author both in the short and long term.
Amazon Selling Services from Helium 10
Helium 10 is an all-in-one Amazon software that will help you sell your self-published book. Assembly recently acquired this software in 2019, which was aimed at helping small businesses increase their revenue through the use of content, education, and community. This software makes use of state-of-the-art resources that contain optimization tools that are intuitive and useful to help you grow your business.
It focuses on research and boosting the visibility of your product in the Amazon search engine.
Our Take:
Helium 10 doesn't claim to produce great listings directly, nor does it promise to increase your revenue for you automatically. But with its advanced management tools puts you in a position that will give you all the opportunities to promote your product on the world's bestselling platform. Not to mention that, currently, Helium 10 is an industry leader in its category today.
With over 1+ million users and 4 billion+ in monthly Amazon GMV, it lets its numbers speak for themselves. And for writers who like real-time marketing leverage using technology, this software is precisely what you need.
The Creative Penn with Joanna Penn
A bestselling author of New York Times and USA Today, Joanna Penn is also a podcaster, speaker, and an awarded entrepreneur. Enough said about her credibility. Ms. Penn has authored over 30 books and sold more than 600,000 copies in 162 countries, translated into 5 languages.
She is offering her book for aspiring writers entitled: "Author 2.0 Blueprint".
She has her website "The Creative Penn."m where she aims to help writers learn the basics of building a "platform" to market a book. She shares her personal experience over the past few years, detailing how she effectively marketed her book and generated and still generates sales as a best-selling author.
Our Take:
Her book "Author 2.0" is now available for free of which can be downloaded directly from her site after you sign up. The book itself is not about writing your best but how to market after writing your masterwork. Learning the pros and cons of publishing with necessary apparatuses like advances, contacts, and royalties, all these coming from the pro herself, is definitely worth the read.
Conclusion
Today, the book publishing landscape for authors has been turned on its head, as it carries both opportunities and some risks. Even minute details like logo design may make or break your masterpiece Self-publishing has finally arrived. And investing in your education on how to do it ultimately pays well in the long run.
Writer: Kieran Fallon is the owner of Logo Design company Éire Graphic Design. We are here to help your organization become more memorable through designing striking logos, eye-grabbing flyers, posters that pop, exciting animated emails and dynamic lightweight digital advertising campaigns – always backed by flexible and insightful support.